Buch | Sektion
The creative inwardness as a forge of the novel types of aesthetic ciphers
pp. 393-539
Details | Inhaltsverzeichnis
Creative inwardness in early modern Italian thought
pp.393-404
http://link.springer.com/chapter/10.1007/1-4020-2245-X_21
Creativity and aesthetic experience
The problem of the possibility of beauty and sensitiveness
pp.405-418
http://link.springer.com/chapter/10.1007/1-4020-2245-X_22
Confirmations of 'life' in a phenomenology of poetic images
pp.419-432
http://link.springer.com/chapter/10.1007/1-4020-2245-X_23
The sense of creativity by Andrei Tarkovski
pp.433-439
http://link.springer.com/chapter/10.1007/1-4020-2245-X_24
Twilight of the eidos
The question of form in Heidegger's reading of Nietzsche's thought upon art
pp.441-450
http://link.springer.com/chapter/10.1007/1-4020-2245-X_25
Traditional works of art and networks of art
Phenomenological reflection
pp.451-460
http://link.springer.com/chapter/10.1007/1-4020-2245-X_26
Vincent van Gogh's five bedrooms at arles
An analysis of creative copies
pp.461-476
http://link.springer.com/chapter/10.1007/1-4020-2245-X_27
Figureless landscape
The persistence of the sublime in American landscape painting
pp.477-494
http://link.springer.com/chapter/10.1007/1-4020-2245-X_28
The aestheticization of life by photography
pp.495-503
http://link.springer.com/chapter/10.1007/1-4020-2245-X_29
The convergent "I"
Empathy as an aesthetic category
pp.505-519
http://link.springer.com/chapter/10.1007/1-4020-2245-X_30