In Leibniz, we find a philosopher whose writings reveal an especially intensive examination of geometry in relation to the principles of division and infinity. In addition, Leibniz's mathematical theory of geometry, Calculus, is evidence of how he reconfigures principles of quantity into a continuum of differential magnitudes or figures. This chapter suggests that, alongside these analytical mathematical geometric figures, Leibniz also develops an aesthetic geometric method and figures, which are infinitely divisible and embody a qualitative notion of magnitude.