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Buch | Kapitel
Cross-synthesis using interverted principal harmonic sub-spaces
pp. 375-385
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Abstrakt
Nowadays, analysis and synthesis processes allow a wide variety of timbral effects. One of the most popular effects is known as cross-synthesis. Cross-synthesis consists in combining timbral parameters from two distinct sounds to obtain a new hybrid sound. This paper introduces the use of principal component analysis (PCA) in an analysis/synthesis process and shows its flexibility for the creation of hybrid sounds.
Publication details
Published in:
Leman Marc (1997) Music, Gestalt, and computing: studies in cognitive and systematic musicology. Dordrecht, Springer.
Seiten: 375-385
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DOI: 10.1007/BFb0034127
Referenz:
Rochebois Thierry, Charbonneau Gérard (1997) „Cross-synthesis using interverted principal harmonic sub-spaces“, In: M. Leman (ed.), Music, Gestalt, and computing, Dordrecht, Springer, 375–385.