Series | Buch
The haptic aesthetic in Samuel Beckett's drama
Abstrakt
Samuel Beckett's work is deeply concerned with physical contact - remembered, half-remembered, or imagined. Applying the philosophical writings of Jean-Luc Nancy and Maurice Merleau-Ponty that feature sensation, this study examines how Beckett's later work dramatizes moments of contact between self and self, self and world, and self and other.
Details | Inhaltsverzeichnis
failing, myopic, grainy
pp.13-34
https://doi.org/10.1057/9781137275332_2full of relentless echoes
pp.35-60
https://doi.org/10.1057/9781137275332_3trying to tell it all, failing
pp.61-86
https://doi.org/10.1057/9781137275332_4pp.133-150
https://doi.org/10.1057/9781137275332_7between doubting Thomas and Noli me tangere
pp.151-154
https://doi.org/10.1057/9781137275332_8Publication details
Publisher: Palgrave Macmillan
Ort: Basingstoke
Year: 2013
Seiten: 196
Series: New Interpretations of Beckett in the Twenty-First Century
ISBN (hardback): 978-1-349-44692-6
ISBN (digital): 978-1-137-27533-2
Referenz:
McTighe Trish (2013) The haptic aesthetic in Samuel Beckett's drama. Basingstoke, Palgrave Macmillan.