Deutsche Gesellschaft
für phänomenologische Forschung

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Aesthetic reception

pp. 179-272

Details | Inhaltsverzeichnis

"Essential witnesses"

Imagism's aesthetic "protest" and "rescue" via ancient Chinese poetry

Mu Yun Ling Jesse Airaudi

pp.181-194

http://link.springer.com/chapter/10.1007/978-94-009-2027-9_14

Towards a post-modern hermeneutic ontology of art

Nietzschean style and Heideggerian truth

Babette Babich

pp.195-209

http://link.springer.com/chapter/10.1007/978-94-009-2027-9_15

Le véritable Saint Genest: from text to performance Cynthia Ruoff

pp.211-224

http://link.springer.com/chapter/10.1007/978-94-009-2027-9_16

Husserl, fantasy and possible worlds Thomas Ryba

pp.227-237

http://link.springer.com/chapter/10.1007/978-94-009-2027-9_17

Phenomenological ontology and second person narrative

The case of Butor and Fuentes

Robert Ellis

pp.239-248

http://link.springer.com/chapter/10.1007/978-94-009-2027-9_18

Modifications: a reading of Auden and Iser Bernadette Prochaska

pp.249-257

http://link.springer.com/chapter/10.1007/978-94-009-2027-9_19

A study of visual form in literary imagery Joseph Krause

pp.259-265

http://link.springer.com/chapter/10.1007/978-94-009-2027-9_20

Indian and Western music

Phenomenological comparison from Tagore's viewpoint

Sitansu Ray

pp.267-272

http://link.springer.com/chapter/10.1007/978-94-009-2027-9_21