Deutsche Gesellschaft
für phänomenologische Forschung

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COPR

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Arts nurturing human culture

pp. 363-467

Details | Inhaltsverzeichnis

A look at modernism from the keyboard

The piano in the parlor and abstract art

Eldon Van Liere

pp.365-378

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_27

Pierre Puvis de Chavannes, Richard Wagner, and Émile Bernard

Composition and meaning in the late nineteenth century

Deborah Trousdale

pp.379-389

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_28

The temporal character of Catherine Schieve's Slide opera Karl Volkmar

pp.391-400

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_29

An unfolding of theory and practice

From Ingarden to a phenomenological aesthetic for opera

Ellen Burns(Department of Philosophy, Yale University)

pp.401-416

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_30

Emotion, metaphor, music, and humor Warren Shibles

pp.417-436

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_31

The cultural milieu of Francis Poulenc (1899–1963) and his "musique de tous les jours" Stephanie Weaver

pp.437-467

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_32