Deutsche Gesellschaft
für phänomenologische Forschung

Series | Buch

COPR Bookmark Link
146817

Investigations into the phenomenology and the ontology of the work of art

what are artworks and how do we experience them?

herausgegeben vonPeer F. Bundgaard Frederik Stjernfelt

Details | Inhaltsverzeichnis

Introduction Peer F. Bundgaard

pp.1-13

https://doi.org/10.1007/978-3-319-14090-2_1
Temporal aspects of literary reading David S. Miall

pp.15-30

https://doi.org/10.1007/978-3-319-14090-2_2
Memory and mental states in the appreciation of literature Marisa Bortolussi Peter Dixon

pp.31-49

https://doi.org/10.1007/978-3-319-14090-2_3
Temporal conflict in the reading experience Cathrine Kietz

pp.51-73

https://doi.org/10.1007/978-3-319-14090-2_4
The aesthetic experience with visual art "at first glance" Paul J. Locher

pp.75-88

https://doi.org/10.1007/978-3-319-14090-2_5
What is a surface? in the real world? and pictures? John M. Kennedy Marta Wnuczko

pp.89-107

https://doi.org/10.1007/978-3-319-14090-2_6
The idiosyncrasy of beauty

aesthetic universals and the diversity of taste

Patrick Hogan

pp.109-127

https://doi.org/10.1007/978-3-319-14090-2_7
Why we are not all novelists Shaun Gallagher(Department of Philosophy, University of California Berkeley)

pp.129-143

https://doi.org/10.1007/978-3-319-14090-2_8
Aesthetic relationship, cognition, and the pleasures of art Jean-Marie Schaeffer

pp.145-165

https://doi.org/10.1007/978-3-319-14090-2_9
More seeing-in

surface seeing, design seeing, and meaning seeing in pictures

Peer F. Bundgaard

pp.167-189

https://doi.org/10.1007/978-3-319-14090-2_10
Depiction John Hyman

pp.191-208

https://doi.org/10.1007/978-3-319-14090-2_11
Green war banners in central copenhagen

a recent political struggle over interpretation—and some implications for art interpretation as such

Frederik Stjernfelt

pp.209-223

https://doi.org/10.1007/978-3-319-14090-2_12
The appropriation of the work of art as a semiotic act Francis Édeline Jean-Marie Klinkenberg (Université de Liège)

pp.225-242

https://doi.org/10.1007/978-3-319-14090-2_13
Sculpture, diagram, and language in the artwork of Joseph Beuys Wolfgang Wildgen

pp.243-257

https://doi.org/10.1007/978-3-319-14090-2_14

Publication details

Publisher: Springer

Ort: Dordrecht

Year: 2015

Seiten: 264

Series: Contributions to Phenomenology

Series volume: 81

DOI: 10.1007/978-3-319-14090-2

ISBN (hardback): 978-3-319-14089-6

ISBN (digital): 978-3-319-14090-2

Referenz:

Bundgaard Peer F., Stjernfelt Frederik (2015) Investigations into the phenomenology and the ontology of the work of art: what are artworks and how do we experience them?. Dordrecht, Springer.