Buch | Kapitel
Dynamic rhythm and static rhythm
polemics of Mondrian's theory of rhythm
pp. 77-103
Abstrakt
At the end of the nineteenth century, Etienne-Jules Marey and Eadweard Muybridge investigated the movement of the body in serialised form using new cinematographic techniques. These photographic experiments deeply influenced Euro-American avant-gard artists and thinkers of the early twentieth century, including the Cubists and Futurists, and artists such as Robert Delaunay, Frantisek Kupka, Marcel Duchamp, Theo van Doesburg and Thomas Eakins.
Publication details
Published in:
Tosaki Eiichi (2017) Mondrian's philosophy of visual rhythm: phenomenology, Wittgenstein, and Eastern thought. Dordrecht, Springer.
Seiten: 77-103
DOI: 10.1007/978-94-024-1198-0_3
Referenz:
Tosaki Eiichi (2017) Dynamic rhythm and static rhythm: polemics of Mondrian's theory of rhythm, In: Mondrian's philosophy of visual rhythm, Dordrecht, Springer, 77–103.


