Deutsche Gesellschaft
für phänomenologische Forschung

Buch | Kapitel

176713

Dynamic rhythm and static rhythm

polemics of Mondrian's theory of rhythm

Eiichi Tosaki

pp. 77-103

Abstrakt

At the end of the nineteenth century, Etienne-Jules Marey and Eadweard Muybridge investigated the movement of the body in serialised form using new cinematographic techniques. These photographic experiments deeply influenced Euro-American avant-gard artists and thinkers of the early twentieth century, including the Cubists and Futurists, and artists such as Robert Delaunay, Frantisek Kupka, Marcel Duchamp, Theo van Doesburg and Thomas Eakins.

Publication details

Published in:

Tosaki Eiichi (2017) Mondrian's philosophy of visual rhythm: phenomenology, Wittgenstein, and Eastern thought. Dordrecht, Springer.

Seiten: 77-103

DOI: 10.1007/978-94-024-1198-0_3

Referenz:

Tosaki Eiichi (2017) Dynamic rhythm and static rhythm: polemics of Mondrian's theory of rhythm, In: Mondrian's philosophy of visual rhythm, Dordrecht, Springer, 77–103.