The phenomenology of film focuses on the relation between filmgoer and film through the conditions and aspects of the film experience. In short, it is an approach to film as a phenomenon. According to Merleau-Ponty (1945), phenomenology is a philosophical approach that puts essences back into existence and seeks to describe rather than explain or analyse. It is concerned with the perception and understanding of the world and being-in-the-world. If the film is a phenomenological art par excellence, as Merleau-Ponty (1964) suggested, a phenomenology of film must describe how the film world is perceived by the filmgoer, as if she/he were being-in-the-film-world. This chapter develops a phenomenological analysis of film experience whose aim is to set forth a possible definition of it as re-perception of the film world. Based on this definition, the three main aspects typifying film experience are described as mediated perception, perception of a perceptual unity and available and shareable perception.