Deutsche Gesellschaft
für phänomenologische Forschung

Series | Buch

208004

The meaning of form in contemporary innovative poetry

Robert Sheppard

Abstrakt

This study engages the life of form in contemporary innovative poetries through both an introduction to the latest theories and close readings of leading North American and British innovative poets. The critical approach derives from Robert Sheppard's axiomatic contention that poetry is the investigation of complex contemporary realities through the means (meanings) of form. Analyzing the poetry of Rosmarie Waldrop, Caroline Bergval, Sean Bonney, Barry MacSweeney, Veronica Forrest-Thomson, Kenneth Goldsmith, Allen Fisher, and Geraldine Monk, Sheppard argues that their forms are a matter of authorial design and readerly engagement. 

Details | Inhaltsverzeichnis

Veronica Forrest-Thomson

poetic artifice and naturalization in theory and practice

Robert Sheppard

pp.29-46

https://doi.org/10.1007/978-3-319-34045-6_2
Rosmarie Waldrop

poetics, wild forms, and palimpsest prose

Robert Sheppard

pp.119-133

https://doi.org/10.1007/978-3-319-34045-6_7
The trace of poetry and the non-poetic

conceptual writing and appropriation in Kenneth Goldsmith, Vanessa Place, and John Seed

Robert Sheppard

pp.135-154

https://doi.org/10.1007/978-3-319-34045-6_8
Stefan Themerson

iconopoeia and thought-experiments in the theater of semantic poetry

Robert Sheppard

pp.155-171

https://doi.org/10.1007/978-3-319-34045-6_9

Publication details

Publisher: Palgrave Macmillan

Ort: Basingstoke

Year: 2016

Seiten: 248

Series: Modern and Contemporary Poetry and Poetics


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DOI: 10.1007/978-3-319-34045-6

ISBN (hardback): 978-3-319-34044-9

ISBN (digital): 978-3-319-34045-6

Referenz:

Sheppard Robert (2016) The meaning of form in contemporary innovative poetry. Basingstoke, Palgrave Macmillan.