Deutsche Gesellschaft
für phänomenologische Forschung

Buch | Kapitel

209878

On the limits of the imagination

Arthur I. Miller

pp. 219-276

Abstrakt

MENTAL IMAGERY IN auditory, sensual, and visual modes has played a central role in creative thought. Wolfgang Amadeus Mozart's auditory imagery permitted him to hear a new symphony "tout ensemble." The great French mathematician and philosopher Henri Poincaré's 'sensual imagery" led him to sense a mathematical proof in its entirety "at a glance." Albert Einstein's creative thinking occurred in visual imagery, and words were 'sought after laboriously only in a secondary stage" (Hadamard, 1954).

Publication details

Published in:

Miller Arthur I. (1984) Imagery in scientific thought: creating 20th-century physics. Basel, Birkhäuser.

Seiten: 219-276

DOI: 10.1007/978-1-4684-0545-3_7

Referenz:

Miller Arthur I. (1984) On the limits of the imagination, In: Imagery in scientific thought, Basel, Birkhäuser, 219–276.