Buch | Kapitel
On the limits of the imagination
pp. 219-276
Abstrakt
MENTAL IMAGERY IN auditory, sensual, and visual modes has played a central role in creative thought. Wolfgang Amadeus Mozart's auditory imagery permitted him to hear a new symphony "tout ensemble." The great French mathematician and philosopher Henri Poincaré's 'sensual imagery" led him to sense a mathematical proof in its entirety "at a glance." Albert Einstein's creative thinking occurred in visual imagery, and words were 'sought after laboriously only in a secondary stage" (Hadamard, 1954).
Publication details
Published in:
Miller Arthur I. (1984) Imagery in scientific thought: creating 20th-century physics. Basel, Birkhäuser.
Seiten: 219-276
DOI: 10.1007/978-1-4684-0545-3_7
Referenz:
Miller Arthur I. (1984) On the limits of the imagination, In: Imagery in scientific thought, Basel, Birkhäuser, 219–276.