Deutsche Gesellschaft
für phänomenologische Forschung

Buch | Kapitel

212435

Religion, art and the limits of the sayable

Robert Grant

pp. 163-169

Abstrakt

In the Middle Ages, art, science, philosophy, history and practical life were all offshoots of religion, and so regarded theoretically. Nowadays, however, they are usually treated as separate universes of discourse. The most sustained attempts to chart their boundaries have been made within the Idealist tradition. Here each is assumed to be a particular mode, or phase, of Geist (the German word for both "mind" and 'spirit"). Typical Idealist thinkers in this respect are Kant, Schiller, Hegel, Croce, Collingwood, Oakeshott and (up to a point, since he also has naturalistic leanings) Santayana.1

Publication details

Published in:

Grant Robert (2000) The politics of sex and other essays: on conservatism, culture and imagination. Basingstoke, Palgrave Macmillan.

Seiten: 163-169

DOI: 10.1057/9780333982426_14

Referenz:

Grant Robert (2000) Religion, art and the limits of the sayable, In: The politics of sex and other essays, Basingstoke, Palgrave Macmillan, 163–169.