The journal was founded in 1987 by the Department of Studi Umanistici at the University of Salento, in collaboration with the "Centro Italiano di Ricerche Fenomenologiche" (CIRF) in Rome. It has been classified by the Italian National Agency for the Evaluation of Universities and Research Institutes (ANVUR) as a scientific journal for Areas 10 and 11. The title "Segni e Comprensione" identifies the editorial proposal for the Journal as a space and laboratory for investigation, confrontation, and comparison of ideas, a starting point and welcoming "landing" place of cultural "provocations", of rigorous and intense reflective activity. After 36 years since its first number, the Journal is presented in a new layout/format, expanded and enhanced, thanks to the participation of prestigious voices, according to a "new" phenomenological and hermeneutic framework, for a research dialogue both at national and international level, not excluding innovative conceptual nuclei including interdisciplinary ones.
Between 1987-2017 "Segni e Comprensione" was published three times a year, and from 2018, for editorial choice, it is issued semi-annually. All essays submitted to the Journal undergo a double-blind review process.
ANVUR recognition for journal classification:
SEGNI e COMPRENSIONE
Area: 11
Scientific recognition outcome: recognised
Area: 11
Phenomenology of Experience: Signs and Understanding in the Constitution of Meaning
Deadline: October 2026
To mark its fortieth year, Segni e Comprensione dedicates a Special Issue to the phenomenology of
experience, considering it a privileged theoretical horizon for systematically and critically rethinking
the relationship between signs and understanding.
Phenomenology, understood as a philosophy of experience, has shown that meaning is neither an
immediate given nor a simple subjective construction, but the result of a constitutive dynamic in
which experience articulates itself through intentional, bodily, affective, and symbolic structures.
Within this framework, signs are not mere instruments for the transmission of meaning, but internal
moments in the very emergence of sense; and understanding is not reducible to a derived cognitive
act, but takes shape as an originary mode of being-in-the-world.
The Special Issue therefore aims to explore the phenomenology of experience as a space in which:
- the sign appears as an event of manifestation and mediation of meaning;
- understanding reveals itself as a fundamental structure of experience, in both its individual and
intersubjective dimensions;
- interpretation assumes a constitutive function in the formation of consciousness and in the
configuration of the shared world.
Ranging from transcendental phenomenology and its post-Husserlian receptions to hermeneutical
approaches and new contemporary phenomenologies, the issue welcomes contributions that deepen
the ontological, epistemological, and ethical implications of experience, with particular attention to
the role of symbolic and interpretive processes.
In an era marked by hypermediation and the pervasiveness of digital technologies, the
phenomenology of experience is called to confront radical transformations in the forms of meaning.
Virtual environments, media proliferation, new configurations of the image, and the impact of
artificial intelligences are redefining the modes of understanding and challenging the very status of
meaning. The sign, in this context, emerges as a site of tension between evidence and opacity,
presence and excess, stability and ambiguity.
The Call therefore invites critical interrogation of the phenomenology of experience in its classical
and contemporary forms, exploring the ways in which signs and understanding operate as constitutive
structures of experience across the different domains of human life.
Thematic Areas (non-exhaustive)
• Phenomenological structures of experience
• Sign and the constitution of meaning
• Understanding and interpretation in phenomenological perspective
• Phenomenology of music, art, and the image
• Phenomenology of cinema and the performing arts
• Phenomenology of affectivity, emotions, and atmospheres
• Phenomenology of anxiety and religious experience
• Phenomenology of the everyday and the non-human
• Experience and digital environments
• Signs, language, and artificial intelligence
• Methodology of phenomenological inquiry
• Epistemology and ethics of experience
• Differences and developments within phenomenological traditions